My art practice over the last years has evolved from the concept of Perpetual Impermanence. This concept encompasses the notions of transformation, transience and renewal, that embraces the self. Perpetual Impermanence, also inherently carries what has been before, echoing in what is to come. Furthering my practice, I have been privileged, to explore this concept in both Japan and to Bhutan. The video work presented here is from unfocused and disjointed Super 8mm home movies, filmed in the 1960s. From this material, one of the three dailies, is presented here , exploring Perpetual Impermanence.